By Martin J. Powers, Katherine R. Tsiang
Exploring the historical past of paintings in China from its earliest incarnations to the current day, this entire quantity comprises dozen newly-commissioned essays spanning the theories, genres, and media imperative to chinese language paintings and concept all through its history.
- Provides an excellent choice of essays selling a comparative realizing of China’s lengthy checklist of cultural production
- Brings jointly a world crew of students from East and West, whose contributions diversity from an summary of pre-modern conception, to these exploring calligraphy, advantageous portray, sculpture, add-ons, and more
- Articulates the course within which the sphere of chinese language artwork background is relocating, in addition to supplying a roadmap for historians drawn to comparative research or theory
- Proposes new and revisionist interpretations of the literati culture, which has lengthy been a big staple of chinese language paintings history
- Offers a wealthy perception into China’s social and political associations, spiritual and cultural practices, and highbrow traditions, along chinese language paintings heritage, idea, and criticism
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Extra info for A Companion to Chinese Art
German Historical Institute London Bulletin, 30(2): 3–37. Vinograd, R. (2012). Hiding in Plane Sight: Accommodating Incompatibilities in Early Modern Pictures. In D. ), Comparative Early Modernities. London: Palgrave Macmillan. Von Staden, H. (1992). Affinities and Elisions: Helen and Hellenocentrism. Isis, 83(4): 578–595. Wang Fuzhi (1964). Essays on Song History. In S. Y. ), Wang Fuzhi’s Writings. Beijing: Zhonghua Publishing. Yang Nianqun (2005). Zuo ri zhi wo yu jin ri zhi wo. Beijing: Beijing Normal University Press.
She expands the common perceptions of Chinese portraiture in both historic China and the West that have focused either on scholarly portraits or on paintings of deceased ancestors from the late imperial period. She makes an assessment of types of early portrait paintings together with the historical criteria for evaluating them and period terms used to discuss them. Beginning with early imperial commemorative depictions of historical paradigms in funerary contexts, many of the portraits were imaginary “character” depictions of exemplary officials and martyrs.
Clunas, C. (1991). Superfluous Things: Material Culture and Social Status in Early Modern China. Cambridge: Polity. Cohen, P. A. (1984). Discovering History in China: American Historical Writing on the Recent Chinese Past. New York: Columbia University Press. Cohen, P. A. (1993). Cultural China: Some Definitional Issues. Philosophy East and West, 43(3): 557–563. Crow, T. (1985). Painters and Public Life in Eighteenth-Century Paris. New Haven, CT: Yale University Press. Cummings, B. (2010). The Korean War: A History.
A Companion to Chinese Art by Martin J. Powers, Katherine R. Tsiang