By Anna Hoefnagels
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Additional info for Aboriginal Music in Contemporary Canada: Echoes and Exchanges
He is also one of the few scholars of his generation to write about changing soundscapes in Aboriginal communities (Ridington 1988b). Especially influential as a comparative theorist of narrative styles is anthropologist Julie Cruikshank. Her groundbreaking work with elders of the Tagish community in the Yukon, published in Life Lived Like a Story (1990), acknowledges the agency of powerful women and also demonstrates that life and expressive culture are inseparable. She reveals how Angela Sidney, Kitty Smith, and Annie Ned moved fluidly between “narrative” and reportage in a way that defies the genres of folklore and the boundaries between song, speech, politics, and dream worlds.
Karl Neuenfeldt (1996, 2002a), whose work is usefully informed by his knowledge of both Canadian and Australian Indigenous scenes, has written about the ways that song texts articulate social issues. K. Caldwell (1999) further explore this theme. The success of the Innu duo Kashtin has been studied most intensively by Line Grenier and Val Morrison (1995a, 1995b), who have explored how the mediation of Kashtin’s music articulates with the rise of Quebec nationalism. Both Scales and I have examined debates about the definition of “Aboriginal music” that accompanied the inauguration of the Aboriginal Music Award within the Junos.
Has received an American Indian Film Festival award. , Antane Kapesh 1976) and shorter biographies of Native women in the arts (Brant and Laronde 1996). See also Anderson (2000), Anderson and Lawrence (2003), Caldwell (1999), Perdue (2001), and Kulchyski et al. (1999). 18 Margaret Paul has also presented a part of her life story in Kulchyski et al. (1999). 19 It should be noted that some studies of the potlatch focus on dimensions other than the music and dance performance. See, for example, Cole and Chaikin (1990) on the legal history relating to the bans initiated in the 1880s or Kan (1989) on the mortuary customs and beliefs.
Aboriginal Music in Contemporary Canada: Echoes and Exchanges by Anna Hoefnagels